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Early clue about the "Star pointed pyramid" below:
WHat neede my Shakespeare for his honour'd bones,
The labour of an Age, in piled stones
Or that his hallow'd Reliques should be hid
Vnder a starre-ypointing Pyramid?
Deare Sonne of Memory, great Heire of Fame,
What needst thou such dull witnesse of thy Name?
Thou in our wonder and astonishment
Hast built thy selfe a lasting Monument:
For whil'st to th'shame of slow-endevouring Art
Thy easie numbers flow, and that each part,
Hath from the leaves of thy unvalued Booke,
Those Delphicke Lines with deepe Impression tooke
Then thou our fancy of her selfe bereaving,
Dost make us Marble with too much conceiving,
And so Sepulcher'd in such pompe dost lie
That Kings for such a Tombe would wish to die. |
Milton: On Shakespeare (1632)
Today is
We WHO KNOW, know the true author of Shakespeare's works was Sir Francis Bacon.
"Since de Vere is easily dismissed as the author of the Shakespearean works|
due to the timeline and sheer lack of evidence,
why do die-hard Oxfordians persist
in foisting
their allegations onto a largely unsuspecting public?"
Read more at Shakespeare Authorship: Bacon vs DeVere
Check out the NEW eBook for FREE download by Richard Allan Wagner:

Contents
| |
Introduction |
6 |
|
| Chapter 1 |
The Jeweled Mind of Francis Bacon |
11 |
| Chapter 2 |
Essex |
30 |
| Chapter 3 |
Enter Shakespeare |
38 |
| Chapter 4 |
The Transition to the Jacobean Dynasty |
49 |
|
| Chapter 5 |
The Rise of the Rosicrucians and Freemasons |
54 |
| Chapter 6 |
The King James Bible |
61 |
| Chapter 7 |
Inventing America |
68 |
| Chapter 8 |
Fall from Grace |
74 |
| Chapter 9 |
End Game |
87 |
| Chapter 10 |
The Rise of the Stratfordians |
96 |
| Chapter 11 |
The Shakespeare Problem |
101 |
| Chapter 12 |
Character Assassination and Disinformation |
105 |
| Chapter 13 |
The Oxfordians |
107 |
| Chapter 14 |
The Concealed Poet |
114 |
|
| Chapter 15 |
The Name Shakespeare |
118 |
| Chapter 16 |
The Manes Verulamiani |
123 |
| Chapter 17 |
Love’s Labour’s Lost and honorificabilitudinitatibus |
126 |
| Chapter 18 |
The Names in Anthony Bacon‘s Passport |
130 |
| Chapter 19 |
The Northumberland Manuscript |
131 |
| Chapter 20 |
Shakespeare‘s Works Ripe with Bacon‘s Phraseology |
135 |
| Chapter 21 |
Intimate Details |
139 |
| Chapter 22 |
Henry VII |
144 |
| Chapter 23 |
Rosicrucian-Freemasonry in Shakespeare |
146 |
| Chapter 24 |
Bacon‘s use of Secret Symbols in his Engraving Blocks |
153 |
| Chapter 25 |
The Droeshout Engraving, the Folio, the Monument |
164 |
| Chapter 26 |
The Timeline |
174 |
| Chapter 27 |
The Saint Albans Venus and Adonis Mural |
178 |
| Chapter 28 |
Sweet Swan of Avon |
180 |
|
| Chapter 29 |
Bacon‘s Theosophy |
184 |
|
| Chapter 30 |
The Belle of New Haven |
190 |
| Chapter 31 |
William and Annie |
193 |
| Chapter 32 |
Europe and California |
195 |
| Chapter 33 |
The House |
197 |
| Chapter 34 |
The Folklore |
202 |
| Chapter 35 |
Dispelling the Myth |
205 |
| Chapter 36 |
Mystery Solved |
207 |
| Chapter 37 |
Sarah‘s Puzzle |
216 |
| Chapter 38 |
Higher Dimensional Geometry:
Why the Winchester House Seems So Mysterious |
242 |
| Chapter 39 |
Winchester Numbers |
248 |
| Chapter 40 |
The Spider-web Window |
259 |
|
| |
Epilogue |
268 |
| |
Source Notes |
270 |
| |
Bibliography |
316 |
| |
Index |
323 |
Special Note:
An asterisk * indicates an endnote.
To read an endnote refer to Source Notes: pp. 270-315
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|

Table of Contents
For those who already understand and those who wish to understand.

Masonic Pyramid
The True Mathematical Relationship of
Shakespeare's 154 Sonnets
to the 14 Tiered Pyramid
and 365 Days


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